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Umberto Dattola's Floating Cities represent that something that sometimes, unjustifiably, he feels nostalgic about. That something of which he has no memory, "that interrupted speech made with an increasingly weaker voice" of Fellini's memory....

Through the glass works of Kyou-Hong Lee and the skilful weavings of Kyeok Kim, exhibited for the first time in a gallery in Italy, it is possible to trace the legacy of certain fundamentals of traditional Korean aesthetics....

Very Very Precious the group exhibition of jewelry design by IED Milan graduates....

On the occasion of [C] - Italian Studio Ceramics, the first auction dedicated to contemporary Italian ceramics, ESH Gallery presents five new works by the Milanese master Guido De Zan...

A selection of Japanese artists working with urushi lacquer, one of Japan's oldest and most precious traditional art forms....

On the occasion of Milan Design Week 2021, ESH Gallery presents UNCONVENTIONAL TEABOWLS (CHAWAN)...

/*! elementor - v3.5.3 - 28-12-2021 */.elementor-widget-image-carousel .swiper-container{position:static}.elementor-widget-image-carousel .swiper-container .swiper-slide figure{line-height:inherit}.elementor-widget-image-carousel .swiper-slide{text-align:center}.elementor-image-carousel-wrapper:not(.swiper-container-initialized) .swiper-slide{max-width:calc(100% / var(--e-image-carousel-slides-to-show, 3))} Precedente Successivo Nel Settecento Kant dichiarò con convinzione che un oggetto poteva essere giudicato esteticamente espressivo solo per l’assenza di una precisa funzione. La portata di tale dichiarazione sancì per oltre due...

Akio Niisato https://youtu.be/ozVd5dg4q2Q FREEWAY LIGHT by Alberto Mugnaini The alternation of empty and full, of light and shadow, of inside and outside, this unstable balance of contrasts that endlessly reproduces the dialectic between yin and yang and that distinguishes all the manifestations of the Oriental thought, is the fundamental...

Precedente Successivo Shinya Tanoue’s work (1976) was born during his theology studies, from the discovery for the passion for ceramic and the desire to develop its plastic potential. In it we find a fresh and valid reference to the tradition of the Sodeisha movement born in 1948....